Secret Supreme
By Swami LakshmanJoo
Objective Elements
First 25 Elements are Objective meaning Gross Elements, the five mahabhutas,
the five tanmatras, the five karmmdriyas, and the five jnanendriyas, are called gross elements.
Lets begin from the Lowest degree of tatvas - gross tatvas
Famously known as Pañca Mahābhūtās
pŗithvī = earth
jala = water
tejas = fire
vāyu = air
ākāśa = ether
Here ākāśa i.e ether element is not perceptible because it is unoccupied space.
It gives room to exist and move to the other perceptible gross elements.
Its like special vacume which filled with other gross elements.
is based on these elements.
Pañcha Tanmätras — Five Subtle Elements
The five tanmatras correspond to the five mahdbhutas.
Mahabhuta | Tanmatra | Meaning |
---|---|---|
Earth | Gandha The word ‘gandha’ means smell but it is not exactly smell, it is the abode of smell, where smell lives. And that abode of smell is called gandha tanmatra. |
abode of of smell |
Water | Rasa Rasa tanmatra, has come out from the element of water (jala mahabhuta). Rasa tanmatra is residence of the impression of taste (rasa). |
residance of impression of taste |
Fire | Rupa From the element of fire (tejas mahabhuta) issues forth rupa tanmatra. Though the word 'rupa’ means form, rupa tanmatra is not exactly form it is the residence of form. The residence of the impression of form. Where the impression of form resides and this residence is called rupa tanmatra. |
residance of form |
Air | Sparsa From the element of air (vayu mahabhuta) rises sparsa tanmatra which is the tanmatra of touch the sensation of touch. This tanmatra is the residence of the sensation of touch. |
residance of sensation of touch |
Ether | Sabda Rising from the element of ether (akasa mahabhuta) is sabda tanmatra, the tanmatra of sound. This is the residence of the sensation of sound. |
residance of sensation of sound |
Pañca karmendriyas — Five organs of action
After the five tanmatras comes out the five tattvas which are known as the five karmendriyas, the five organs of action.
Organ | Action | Meaning |
---|---|---|
Vak | Speech | Communication |
Pani | Hand | take and give |
pada | foot | locomotion |
payu | organ of excretion | passing of stools |
upastha | organ of sex | reproduction |
Pañca jnanendriyas — Five Organs of Cognition
The next five tattvas comprise what are known as the five organs of cognition, the five jnanendriyas means organs of knowledge. These are the mental organs with which we experience the world.
Tatva | Organ | Indication |
---|---|---|
ghrāņa Ghrana means nose. The use of the word ‘nose’ does not refer to breathing, rather ‘nose’ is used here to indicate smell. This is the organ of cognition by which you smell. It creates odours. |
Nose | Smell |
rasanā Rasana means tongue. The use of the word tongue here does not refer to speech but to taste because, though speech also comes from the tongue, it is an organ of action, not an organ of cognition. Rasana tattva is that organ of cognition by which you taste. It creates flavours. |
Tongue | Taste |
cakşu Caksuh means eye. It is that organ of cognition by which you see. It creates form (rupah). |
Eye | seeing |
tvak The fourth jnyanendriya is tvak tattva, tvak means skin. It is that organ of cognition by which you feel. It creates touch. |
skin | touch |
śrotra Srotra means ear. It is that organ of cognition by which you hear. It creates sound. |
ear | hearing |
Objective cum Subjective Elements
The following elements, as we continue rising in our explaination of the tattvas, are said to be objective cum subjective elements. You should understand though, that in saivism all the elements are really objective elements, they are called objects. Only that Super Being is subjective. Yet as the following elements are a bit more attached with subjectivity than the former we say that they are objective cum subjective elements.
Antaḥkaraṇas — Three Internal OrgansNow we rise to the three tattvas which are known as the antahkaranas. The word ‘antahkararm’ means internal organs.
Tatva | Organ | Indication |
---|---|---|
manas Manas tattva, the element of mind, is said in Sanskrit to be ‘sankalpasadhana', the means by which you create thoughts, any thought such as I am going there, I will go there, I have done this, I have done that, this is the action of manas. |
mind | creating thoughts |
buddhiḥ The action of buddhih tattva, the element of intellect, is to confirm whether I should do this or not. This is the field of the confirmation of the rightness of any proposed action whether intellectual or moral because first you must determine the rightness of a proposed decision or action and then you make a choice dependent on this rightness. You ask yourself internally, should I do this action or not, is this the right decision or not, and buddhi will reply to you, no, you should not do it, or yes, you should do it. This is bad, it is wrong to do it. This is good, you should do it. This answer is right, this answer is wrong, all this is done by the intellect. |
intellect | decision making |
ahaṁkāra Ahamkara tattva is the element of ego which is connected with objectivity. When you attribute any action or knowledge to your own self such as, I have done this and I am mistaken, I have done that and I ought not to have done it, or I did a wonderful thing today which will benefit me alot, this is the action of ahamkara tattva. It creates limited “I” consciousness, the limited ego which is connected with objectivity. |
ego (objective) | attributing to I |
prakŗiti Rising still further we come to the two tattvas prakriti and purusa. These two tattvas are interdependent. Prakrti is dependent upon purusa and purusa is dependent upon praknti. Prakriti is that element which is referred to and is known as “nature”. It is the field where the three tendencies arise and flow forth. These three tendencies are known as the three gunas, the three qualities, which are respectively satva, rajas, and tamas. Prakriti is the combination of these three gunas but without any distinction. The three gunas come out from prakriti, and so it is said that the three gunas are not in the field of the tattvas, they are not to be considered as tattvas, because they are created by prakriti. Tattvas are creators, they are not created. Therefore, it is not the gunas which are tattvas but their creator prakriti. And that which responds to that prakriti, which owns that prakriti is called purusa. |
nature | |
puruşa | ego (subjective) |
In saivism, purusa is not a realized soul. Purusa tattva is bound and limited just as ahamkara tattva is. The only 1 difference that exists between purusa and ahamkara is that (purusa is connected with subjectivity and ahamkara is connected with objectivity. And this purusa is entangled and bound in five ways which are the five kancukas niyati, kala, raga, vidya and kala.
Şat kañcukas — Six Coverings
Tatva | Covering | Example |
---|---|---|
niyati (being in particular place) | limitation of place The function of niyati tattva is to put the impression in purusa that he is residing in such and such a particular place and not in all places. You are residing in a houseboat near first bridge and you are not residing simultaneously at Ishiber near Nishat. You are residing in Kashmir, you are not residing simultaneously in Australia or Canada. This is the limitation which niyati tattva causes for purusa, that he is residing in such and such a particular place and not everywhere. |
you are residing in such and such place and not everywhere |
kāla (time or period) | limitation of time The word "kala" means time. The action of kala tattva is to keep purusa in a particular period. He becomes the victim of being in a particular period. For instance, you are twenty five years old, I am sixty four years old, and he is forty three years old. This limitation is the result of the action of kala tattva. |
limited to being in particular period. |
rāga (attachment) | limitation of attachment The third tattva by which purusa is limited is known as raga tattva, 'raga' means attachment. This is that attachment which results from not being full. The action of raga tattva is to leave the impression in purusa that he is not full, that he is not complete, and that he must have this and that to become full. As he does not have this he must have it to be full. He feels a lacking which he must fill. This is the function of raga tattva in limiting purusa. |
impression of not being complete and always need something |
vidyā | limitation of knowledge The fourth tattva which limits purusa is vidya tattva, 'vidya’ means knowledge. The action of vidya tattva is to put the impression in purusa that he has this or that particular and limited knowledge, that he is not all knowing for he knows only some limited things. |
impression of he is not all knowing or knows only limited things |
kalā | limitation of action or creativity The fifth and final bondage and limitation for purusa is kala tattva. Kala tattva creates the impression in purusa that he has some particular creativity, some particular artistic talent. He has mastered the art of writing or the art of music or the art of medicine, however, he does not have unlimited creativity. He is good at some things and not all things. |
impression that he has art or creativity limited things |
māyā | limitation of individuality | not knowing his real nature and becomes bound to these five kanchukas |
Pure Subjectivity
Śuddha Tattvas — Pure Elementstatva | realization | State |
---|---|---|
śuddha vidyā Pure subjectivity is found in the tattva known as suddhavidya tattva. This is when purusa actually realizes his own nature. And yet that realization is not stable, it is flickering, it is moving. This is the realization at the level of suddhavidya tattva. This realization is in movement. Sometimes you realize it, sometimes you forget it. And the experience (paramarsa) of suddhavidya tattva is, "I am siva, this universe is in duality. This universe is unreal, I am siva." This is the impression which comes in suddhavidya tattva. And this is pure subjectivity. |
aham-aham — idam-idam (I-ness in I-ness -- Thisness in Thisness) or simply [I am siva] | This is when purusa realizes his own nature. but realization is not stable but flickering and moving. |
īśvarā tatva In isvara tattva you realize that this universe is my own expansion. This universe is not an illusion, it is my own expansion. This is the realization which takes place in isvara tattva. |
idam aham (thisness in I-ness). | This universe is not illusion it is my own expansion. |
sadāśivā tatva The realization which takes place in sadasiva tattva is the same as the realization which takes place in isvara tattva, however, it is more refined. In sadasiva tattva you realize that I am this whole universe. This is the difference between these two impressions, in isvara tattva you have the impression that this universe is my own expansion, whereas in sadasiva tattva you will find that I myself am this whole universe. Oh myself, I am this whole universe. These two tattvas comprise subjectivity in a purer form. |
aham idam (I-ness in thisness) | I am this whole universe. |
śakti | I (pure universal I) | Pure I |
śivā | I (pure universal I) | Pure I |
Now in the final two tattvas we come to subjectivity in its purest form. These two tattvas are the interdependent tattvas, sakti tattva and siva tattva. The impression which comes in these two tattvas is only I, The pure I, The universal I. It is not the impression that this universe is my own expansion or that I am this whole universe, no, it is just I, Pure I, universal I.
And last is that Being which does not come in the cycle of tattvas. That Being is called Parama siva. Parama Siva is not only found in siva tattva or only found in sakti tattva, it is not only here, it is not only there, everywhere you will find it. You will find it from the lowest tattva to the highest tattva. It is all level that is why It is no level. It is every where, that is why It is nowhere. The one Being who is everywhere It is nowhere.
***